Monday, April 28, 2008

1. Verbs HAS to agree with their subjects.

2. Never use a preposition to end a sentence with. Winston Churchill, corrected on this error once, responded to the young man who corrected him by saying "Young man, that is the kind of impudence up with which Iwill not put!

3. And don't start a sentence with a conjunction.

4. It is wrong to ever split an infinitive.

5. Avoid cliches like the plague. (They're old hat.)

6. Also, always avoid annoying alliteration.

7. Be more or less specific.

8. Parenthetical remarks (however relevant) are (usually) unnecessary.

9. Also too, never, ever use repetitive redundancies endlessly over andover again

10. No sentence fragments.

11. Contractions aren't always necessary and shouldn't be used to excess so don't.

12. Foreign words and phrases are not always apropos.

13. Do not be redundant; do not use more words than necessary; it's highly superfluous and can be excessive.

14. All generalizations are bad.

15. Comparisons are as bad as cliches.

16. Don't use no double negatives.

17. Avoid excessive use of ampersands & abbrevs., etc.

18. One-word sentences? Eliminate.

19. Analogies in writing are like feathers on a snake (Unless they are as good as gold).

20. The passive voice is to be ignored.

21. Eliminate commas, that are, not necessary. Parenthetical words, however, should be enclosed in commas.

22. Never use a big word when substituting a diminutive one would suffice.

23. Don't overuse exclamation points!!!

24. Use words correctly, irregardless of how others use them.

25. Understatement is always the absolute best way to put forth earth-shaking ideas.

26. Use the apostrophe in it's proper place and omit it when its not needed and use it correctly with words' that show possession.

27. Don't use too many quotations. As Ralph Waldo Emerson said, "I hate quotations.. Tell me what you know."

28. If you've heard it once, you've heard it a billion times: Resist hyperbole; not one writer in a million can use it correctly. Besides, hyperbole is always overdone, anyway.

29. Puns are for children, not groan readers.

30. Go around the barn at high noon to avoid colloquialisms.

31. Even IF a mixed metaphor sings, it should be derailed.

32. Who needs rhetorical questions? However, what if there were no rhetorical questions?

33. Exaggeration is a billion times worse than understatement.

34. Avoid "buzz-words"; such integrated transitional scenarios complicate simplistic matters.

35. People don't spell "a lot" correctly alot of the time.

36. Each person should use their possessive pronouns correctly.

37. All grammar and spelling rules have exceptions (with a few exceptions)....Morgan's Law.

38. Proofread carefully to see if you any words out.

39. The dash - a sometimes useful punctuation mark - can often be overused - even though it's a helpful tool some of the time.

40. Proofread carefully to make sure you don't repeat repeat anywords.

41. In writing, it's important to remember that dangling sentences.

41. When numbering in a written document, check your numbering system carefully.

Monday, April 14, 2008

Your story is about a mother whose daughter was switched at birth. How does Marty find out that her child was switched?
Marty's daughter, Ginger, is the victim of a fatal genetic disease, Neimann Pick Type C, which often strikes every sibling in a family. Marty is concerned for her other 2 daughters, and when it's determined that she and her ex-husband are not carriers of the disease they know something's not right.

Where did you get the idea for your story?

My inspiration for the book came straight out of real life from a news story I heard about two families fighting over switched-at-birth babies when one child is orphaned. Of course, the circumstances and setting in my story are different, and the characters are completely fictitious. But I knew it would be a heartbreaking dilemma for any parent, especially for one who had suffered through the death of a child she thought was hers.

Do you have a favorite character?

I would have to say Andie, because even at 13-years-old, she doesn't become a victim. She's a little quirky, and she's had to mature quickly. Even though she's developed an attitude toward God and her situation in general, she keeps it to herself most of the time, and we understand her need to vent occasionally.

On what level do you think women will identify with Marty, her biological mom?

I think most moms would understand the panic of discovering they had the wrong child, and the guilt at not realizing instinctively that something was wrong all along. On another level, Marty is a caregiver who sets aside her own dreams to nurture her family. As women, we often set aside our dreams out of necessity, guilt or lack of support from our families, but like Marty, we don't have to abandon our dreams completely.
The story is set at a drive-in movie theater. What led you to choose that setting?

I think there's a nostalgic winsomeness about drive-in theaters and I want to encourage families to take advantage of the few drive-ins that are still in operation. I remember the smell of hot coffee when my mother poured cups from the thermos, and falling asleep in the backseat with my pillow and blanket. There's a sense of intimacy and togetherness that comes from being alone with your family, even though hundreds of other people are watching the same movie. I also used the run-down condition of the Blue Moon Drive-in as a reflection of the relationship between Marty and Andie and of the condition of their spiritual lives when they first meet.

What is the meaning behind the title: Tuesday Night at the Blue Moon?

Tuesday night is family night at the Blue Moon Drive-in. Andie needs a family, and the desire of Marty's heart is for her dysfunctional family to be a whole again.

Who are some of the other interesting characters in your story?

Andie is sandwiched in the birth order between Winnie, the needy younger sister, and Deja, an older teen who is bitter about the situation. Some interesting dynamics that take place when the three of them interact, especially when mom has to work long hours and there's too much unsupervised together-time.

What is the message that you would like your readers to take away from Tuesday Night at the Blue Moon?

I believe that God is our Father and that we were created to commune with Him on a deep level, but sin orphans us. When we're open to it, God is ready and willing to re-claim and restore us as his children.

How did you begin your writing career?

I operated a home day care for 6 preschoolers when my children were young, and I was in desperate need of a distraction to keep my sanity. So I began to write a novel during their naptimes. I finished it in about 2 years. It was my 'practice novel' which gave me confidence and helped me plot the blueprint for Tuesday Night.

What advice would you give to someone starting out as a writer?

Don't quit. I sold the first article I ever sent to a publisher and didn't sell another thing for 19 years. It's not going to happen overnight. It's an apprenticeship - a craft to be honed. When you're tempted to give up, remember the encouraging things other writers, agents or editors have said about your writing. If God has given you some talent, what acceptable excuse can you give Him for not using it?

What others are saying about Tuesday Night at the Blue Moon:

A wonderful debut novel! Honest. Real. Gritty. A compelling look at the hardscrabble lives and beat-up souls of a grieving, single mom and her daughters as they navigate their way to hope and healing to become a family again. I couldn't put it down! I LOVE Debbie Fuller Thomas's beautiful, descriptive writing. You will too. Highly recommended. -Laura Jensen Walker, author of Miss Invisible and Daring Chloe

You'll be caught up in this story from the first page, and drawn along by Debbie Fuller Thomas' masterful writing. A beautiful, wise tale of a family caught in a predicament with no simple answers, Tuesday Night at the Blue Moon will linger in your thoughts for a good long time. -Kathleen Popa, author of Saint Bertie and To Dance in the Desert

In Tuesday Night at the Blue Moon, Debbie Fuller Thomas takes every parent's worst nightmare and spins it into a deeply touching story. From the fragile seed of hope in Marty, to the fearful confusion of Andie, we see deep into the hearts of two families who have fallen victim to not one tragedy, but two. Compelling from the first word to the last, this is a story of the healing power of love, both human and divine. -Sharon K. Souza, author of Every Good and Perfect Gift and Lying on Sunday

Monday, April 07, 2008


The Case:
“I didn’t mean to kill him,” Dennis Twitchell moaned. “It was an accident. I just wanted to teach him a lesson.”

The young man was on trial for murdering his friend Arnie. Although the jury believed him and was sympathetic, they still felt obligated to return a verdict of involuntary manslaughter.

The Mystery:
How did Dennis kill his friend? And what lesson had he been trying to teach?

The Clues:
Dennis studied harder, but Arnie got better grades. Cheaters never prosper. Arnie died coughing and sneezing.

The Answer:
Think you know the answer? Fill out the comment box and submit your guess. This week's prize: a copy of The Restitution by M.L. Tyndall.

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